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Achieve Professional Faux Finishes by Using the Right Tool


Natural Sea Sponge

 

  • Used with sponging technique to apply paint and glaze to the surface to give a mottled look.
  • Process begins with application of a coat of paint in a solid color. Once this coat is dry, the damp sponge is then used to add glaze in another color.
  • One line of sponges comes with a plastic handle that can be removed as well as a smaller trim sponge for corners.
  • Can also be used with a negative method, which involves applying a base coat, then a glaze coat. A sponge is then used to remove some of the glaze before it has a chance to dry, partially exposing the color of the base coat.

  • Rag Rolling Applicator

     

  • Used with rag rolling technique to achieve effects similar to crushed velvet, parchment, chamois leather, watered silk or brocade.
  • As with sponging, ragging begins with application of a coat of paint in a solid color and allowing it to dry. A crumpled cloth is then used to add glaze in another color.
  • To rag-roll, a cloth is rolled into a sausage shape of varying tightness, then lightly dipped into the glaze and rolled gently across the base coat.
  • Ragging and rag-rolling results vary according to the cloth material used. Linen, lace and burlap are common choices, but almost any material will do if it is clean and free of lint.
  • Can also be used with a negative method, which involves applying a base coat, then a glaze coat. A rag is then rolled over the glaze to remove some of it before it has a chance to dry, partially exposing the color of the base coat.

  • Graining Feather

     

  • Used in marbling technique, in which a base layer of white or color is dabbed on with a damp sponge, and then a second glaze of a different color is applied the same way, causing the two colors to “marble.”
  • The feather provides the “veined” look.
  • Marbling is often done with fireplace mantles

  • Stippling Brush

     

  • Brush used to create stippling effect which is a faux technique that gives an aged look to new surfaces.
  • Stippling involves using the brush to paint criss-cross patterns using glaze over a base coat. The brush bristles are then used to dab on glaze to achieve the desired look.

  • Graining Comb

     

  • Tool used to achieve striated effect, which involves covering a wall with regular paint, applying a glaze and then running the comb through the glaze to remove glaze.
  • Combing tends to darken the color of the wall and it can be done in any direction.
  • Cross-hatching is when the wall is combed once straight down and once horizontally.
  • Courtsey of NRHA.org








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